‘The Sum of all Possibilities’ consists of a clockwork-like mechanism of interdependent cogwheels similar to an orrery, and 23 suspended interrelated segments that continuously shift and rearrange themselves over a period of 12 minutes.
The segments slowly drift in and out of distinctive arrangements, each instance presenting just another, yet equally true, version of the whole.
The suspended sculpture unfolds itself through an apparent infinite process of metamorphosis defined by mathematical relationships. Its slow and meditative movement highlights the close and paradoxical relationship between the calculation of probabilities and the unexpectedness of experience, between time and perception, movement and finitude, form and flux.