Buttercup (Canticle of the Creatures)

2024

‘Pink Noise’, Langen Foundation, 2024, Langen Foundation, 2024 | Troika (Conny Freyer, Eva Rucki, Sebastien Noel)
’Buttercup (Canticle of the Creatures)’, 2024
Carrara marble, 100 x 180 x 100 cm,
in ‘Pink Noise’, Langen Foundation, 2024
Photo: Dirk Tacke
’Buttercup (Canticle of the Creatures)’, 2024, Langen Foundation, 2024 | Troika (Conny Freyer, Eva Rucki, Sebastien Noel)
’Buttercup (Canticle of the Creatures)’, 2024
Carrara marble, 100 x 180 x 100 cm,
in ‘Pink Noise’, Langen Foundation, 2024
Photo: Dirk Tacke
‘Pink Noise’, Langen Foundation, 2024, Langen Foundation, 2024 | Troika (Conny Freyer, Eva Rucki, Sebastien Noel)
’Buttercup (Canticle of the Creatures)’, 2024
Carrara marble, 100 x 180 x 100 cm,
in ‘Pink Noise’, Langen Foundation, 2024
Photo: Dirk Tacke
‘Pink Noise’, Langen Foundation, 2024, Langen Foundation, 2024 | Troika (Conny Freyer, Eva Rucki, Sebastien Noel)
’Buttercup (Canticle of the Creatures)’, 2024
Carrara marble, 100 x 180 x 100 cm,
in ‘Pink Noise’, Langen Foundation, 2024
Photo: Dirk Tacke
‘Pink Noise’, Langen Foundation, 2024, Langen Foundation, 2024 | Troika (Conny Freyer, Eva Rucki, Sebastien Noel)
’Buttercup (Canticle of the Creatures)’, 2024
Carrara marble, 100 x 180 x 100 cm,
in ‘Pink Noise’, Langen Foundation, 2024
Photo: Dirk Tacke

‘Buttercup (Canticle of the Creatures)’, 2024 in ”Pink Noise’ Langen Foundation, 2024, Photo: Dirk Tacke

’Buttercup (Canticle of the Creatures)’, 2024, Langen Foundation, 2024 | Troika (Conny Freyer, Eva Rucki, Sebastien Noel)
’Buttercup (Canticle of the Creatures)’, 2024
Work in Progress at Torart, Carrara, 2024
’Buttercup (Canticle of the Creatures)’, 2024, Langen Foundation, 2024 | Troika (Conny Freyer, Eva Rucki, Sebastien Noel)
’Buttercup (Canticle of the Creatures)’, 2024
Carrara marble, 100 x 180 x 100 cm,
in ‘Pink Noise’, Langen Foundation, 2024
Photo: Dirk Tacke
’Buttercup (Canticle of the Creatures)’, 2024, Langen Foundation, 2024 | Troika (Conny Freyer, Eva Rucki, Sebastien Noel)
’Buttercup (Canticle of the Creatures)’, 2024
Carrara marble, 100 x 180 x 100 cm,
in ‘Pink Noise’, Langen Foundation, 2024
Photo: Dirk Tacke
’Buttercup (Canticle of the Creatures)’, 2024, Langen Foundation, 2024 | Troika (Conny Freyer, Eva Rucki, Sebastien Noel)
A dwarfed lion with Samson by Cristoforo Stati (1604–1607)
’Buttercup (Canticle of the Creatures)’, 2024, Langen Foundation, 2024 | Troika (Conny Freyer, Eva Rucki, Sebastien Noel)
’Buttercup (Canticle of the Creatures)’, 2024
Carrara marble, 100 x 180 x 100 cm,
in ‘Pink Noise’, Langen Foundation, 2024
Photo: Dirk Tacke
’Buttercup (Canticle of the Creatures)’, 2024, Langen Foundation, 2024 | Troika (Conny Freyer, Eva Rucki, Sebastien Noel)
A cameraman and a sound technician record the roar of Leo the Lion for MGM’s famous movie logo. The footage was first used on MGM’s first talking picture ‘White Shadows in the South Seas’. (Photo via John Kobal Foundation/Getty Images)

As developments in Artificial Intelligence rapidly advance and technologies of our own making threaten our lifeworld, we are led to reassess established relationships between humans and the non-human. Buttercup (Canticle of the Creatures) draws on 3D scans of historic sculptures with representations of animals depicting scenes of hunting and slaying. Source scenes include the Roman Farnese Bull (AD 222-235), Samson Rending the Lion (1604-1607), Hunter Slaying a Stag (1838), and Hercules Fighting a Serpent (1824). Troika have edited these monuments to the anthropocentric perspective to omit the human figure, bar arms and hands. Flipping the traditional subject-object relation of heroic tales, the human limbs suppressing the wild become incorporated as the extremities of a fantastical new being.

Read more about ’Buttercup’ in ’Pink Noise’ by Nadim Samman & Dehlia Hannah, in ‘Pink Noise’, pp.5, published by Distanz, 2025