Limits of a Known Territory

2015 – ongoing

‘Limits of a known territory’, 2015 | Troika (Eva Rucki, Sebastien Noel, Conny Freyer)
‘Limits of a known territory’,
Installation view ‘NC-Arte’ Bogota, Colombia, 2015
‘Limits of a known territory’, 2015 | Troika (Eva Rucki, Sebastien Noel, Conny Freyer)
‘Limits of a known territory’,
Installation view ‘NC-Arte’ Bogota, Colombia, 2015

NC-Arte Bogotá, Colombia, 2015

‘Limits of a known territory’, 2015 | Troika (Eva Rucki, Sebastien Noel, Conny Freyer)
‘Limits of a known territory’,
Installation view ‘NC-Arte’ Bogota, Colombia, 2015
‘Limits of a known territory’, 2015 | Troika (Eva Rucki, Sebastien Noel, Conny Freyer)
‘Limits of a known territory’,
Installation view ‘NC-Arte’ Bogota, Colombia, 2015


‘Limits of a Known Territory’, 2024
in ‘Pink Noise’ Langen Foundation, Neuss, 2024,
Photo: Dirk Tacke

‘Limits of a Known Territory’, 2015
in NC-Arte Bogotá, Colombia, 2015

‘Pink Noise’, Langen Foundation, 2024 | Troika (Conny Freyer, Eva Rucki, Sebastien Noel)
‘Limits of a Known Territory’, 2024 (2015),
in ‘Pink Noise’, Langen Foundation, 2024
Photo: Dirk Tacke
‘Pink Noise’, Langen Foundation, 2024 | Troika (Conny Freyer, Eva Rucki, Sebastien Noel)
‘Limits of a Known Territory’,
in Langen Foundation, 2024
Photo: Dirk Tacke
‘Limits of a known territory’, 2015 | Troika (Eva Rucki, Sebastien Noel, Conny Freyer)
‘Limits of a known territory’,
Installation view ‘NC-Arte’ Bogota, Colombia, 2015
‘Limits of a known territory’, 2015 | Troika (Eva Rucki, Sebastien Noel, Conny Freyer)
‘Limits of a known territory’,
Installation view ‘NC-Arte’ Bogota, Colombia, 2015
‘Limits of a known territory’, 2015 | Troika (Eva Rucki, Sebastien Noel, Conny Freyer)
‘Limits of a known territory’,
Installation view ‘NC-Arte’ Bogota, Colombia, 2015
‘Limits of a known territory’, 2015 | Troika (Eva Rucki, Sebastien Noel, Conny Freyer)
‘Limits of a known territory’,
Installation view ‘NC-Arte’ Bogota, Colombia, 2015

Limits of a Known Territory is a site-specific work originally commissioned by Fondazione NC Arte in 2015. The installation doubles as a landscape and its own mirror world. Droplets of water suspended in mid-air appear to be floating upward from the flooded floor towards the ceiling above, moving to the rhythm of a subdued soundscape of metallic clicks and drips. And yet they do obey gravity, forming ripples that spread across the pool and reflect off the concrete walls of the gallery. The floor behaves like a screen, creating an illusion of symmetry between the real world and its digital counterpart. Within the flooded gallery, Troika offer a ‘live simulation’ or ‘real virtuality’ in which we can perceive the granular nature of reality within the stream.

– Dehlia Hannah

Claudia Segura, ‘Approaching Perception’