Obsolete Landscapes
2024

Dye sublimation print, aluminium, Detail,
Photo: Marjorie Brunet Plaza

Dye sublimation print, aluminium,
845 x 1613 x 25 mm,
Photo: Marjorie Brunet Plaza

Dye sublimation print, aluminium,
588 x 1613 x 25mm,
Photo: Marjorie Brunet Plaza


‘Obsolete Landscapes’, 2024
Installation view max goelitz Berlin, 2024
Photo: Marjorie Brunet Plaza

Dye sublimation on aluminium,
in ‘Pink Noise’, Langen Foundation, 2024
Photo: Dirk Tacke

Dye sublimation print, aluminium,
in ‘Pink Noise’, Langen Foundation, 2024
Photo: Dirk Tacke


Dye sublimation print, aluminium, Detail,
Photo: Marjorie Brunet Plaza

Dye sublimation print, aluminium, Detail
Photo: Marjorie Brunet Plaza

Dye sublimation print, aluminium,
655 x 2400 x 25 mm,
Photo: Marjorie Brunet Plaza

Dye sublimation print, aluminium,
845 x 1613 mm,
Photo: Marjorie Brunet Plaza

Dye sublimation print, aluminium,
665 x 2025 x 25mm,
Photo: Marjorie Brunet Plaza

Dye sublimation print, aluminium, Detail,
Photo: Marjorie Brunet Plaza

Dye sublimation print, aluminium,
598 x 2025 x 25mm,
Photo: Marjorie Brunet Plaza

Dye sublimation print, aluminium, Detail
Photo: Marjorie Brunet Plaza

Dye sublimation print, aluminium,
588 x 1613 x 25mm,
Photo: Marjorie Brunet Plaza

Dye sublimation print, Detail,
Photo: Marjorie Brunet Plaza

’3 Sekunden’, Künstlerhaus Dortmund, 2025,
Photo: KHDO

’3 Sekunden’, Künstlerhaus Dortmund, 2025,
Photo: KHDO
‘Obsolete Landscapes’,
In ’3 Sekunden’, Künstlerhaus Dortmund, 2025, Photo: KHDO
The eradication of wild landscapes is reflected in Troika’s series Obsolete Landscapes (2024). The series pictures sky fragments of Apple Inc’s desktop backgrounds from which all landscapes have been erased. ’With an aesthetic echoing romanticized depictions of landscape photography the desktop backgrounds have rapidly transformed California’s natural landmarks into a picture of banality. Beginning with Yosemite (10.10.5) and El Capitan (10.11.6), the naming convention of Apple Inc’s operating systems expanded from the titles of individual summits to entire mountain ranges like Sierra (10.12.6) and High Sierra (10.13.6). The Mojave (10.14.6) desert followed suit, as did Santa Catalina Island (10.15.7). While this trend can’t persist indefinitely, the series points to technological advancement and it’s contribution to the history of landscape erosion – both in terms of resource extraction for the making of its products, and by making natural sites obsolete with each new update. Nature is reduced to a digital facsimile.’
— Fi Churchman