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Fake Plastic Trees
2025
Essay
Michael Birchall for the exhibition ’Deception Island’, max goelitz
Desire for Art — Back to the future
2025
Press
Eva-Maria Magel, Frankfurter Allgemeine, Monday, 17 March 2025, p. 1
The thistle is always the first to return
2025
Press
Philipp Hindahl, SCHIRN MAG Monthly, April 2025
Pink Noise
2025
Publication
Book, published by DISTANZ
5 Questions for Annette Urban
2025
Interview
‘5 Questions for Annette Urban’, SCHIRN Kunsthalle, February 2025
Above / Below
2025
Essay
Daisy Hildyard, in ’Pink Noise’, published by DISTANZ, 2025
Pink Noise
2025
Press
Ann-Katrin Günzel, www.kunstforum.de / Bd. 301 / 14.02.25
Pink Noise
2025
Essay
Dehlia Hannah & Nadim Samman, in ’Pink Noise’, DISTANZ
On Anima Atman
2025
Essay
Nora N. Khan, in ’Pink Noise’, published by DISTANZ, 2025
Sounds from Nowhere
2024
Press
Juliane Rohr, ntv.de / Panorama / 03.11.2024
Untertage
2024
Publication
Published by König Books. Cologne 2024
Terminal Beach
2024
Press
Hana Ostan-Ožbolt-Haas, ArtReview, 17 October 2024
Dark Matter
2024
Press
FOCUS, 38/2024, p.83, Object of the Week
The Default Tree at the End of Time
2024
Press
Springerin, Wien, June 2024, Nr: 2, page: 8-9, Hefte für Gegenwartskunst
Maladaptation to the Screen
2023
Essay
Dehlia Hannah, for ‘In a Forest of Red, Green and Blue’, Cécile B. Evans & Troika, max goelitz
Caught Knapping
2022
Essay
Mark Rappolt, in ‘Untertage’, published by König Books, Cologne 2024
Salting the Earth
2022
Essay
Eva Wilson, in ‘Untertage’, published by König Books, Cologne 2024
Life Matters
2022
Essay
Ariane Koek, in ‘Untertage’, published by König Books, Cologne 2024
Salt of the World
2022
Press
Paul Carey-Kent, Seisma Magazine, April 2022
Specialisation is for insects
2021
Press
Sabine B. Vogel, Kunstforum International / Bd. 277/ October 2021
Borrowed Light
2018
Essay
Kiki Mazzuchelli, in ‘Borrowed Light’, 2018
Trickle Down Aesthetics
2017
Review
Greg J. Smith, reativeapplications.net, 2017
Approaching Perception 
2015
Interview
Claudia Segura, interview with Troika, June 2015