Work
CV
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Work
CV
Books
Instagram
Works
Exhibitions
Commissions
Texts & Press
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Obsolete Landscapes
2024
Dye sublimation print, aluminium
Poetics of Encryption
2024
Group Exhibition
KW Berlin, DE
In a Forest of Red, Green and Blue
2023
Duo Exhibition
max goelitz, Munich
Squaring the Circle
2023
Outdoor Sculpture
Wiesbaden, Germany
In a Forest of Red, Green and Blue
2023
Fused deposition model and lacquer
Pile of Salt
2023
Pile of 12.5 kg of salt
Maladaptation to the Screen
2023
Essay
Dehlia Hannah, for ‘In a Forest of Red, Green and Blue’, Cécile B. Evans & Troika, max goelitz
I Woke to Find Myself Scattered Across Continents
2023
Fused deposition model and lacquer
Forest Filled with Pines and Electronics
2022
Paintings in 16 shades of red, green and blue
Caught Knapping
2022
Essay
Mark Rappolt, in ‘Untertage’, published by König Books, Cologne 2024
Reality is not always probable
2022
dice, evolutionary algorithm
Salting the Earth
2022
Essay
Eva Wilson, in ‘Untertage’, published by König Books, Cologne 2024
Life Matters
2022
Essay
Ariane Koek, in ‘Untertage’, published by König Books, Cologne 2024
Salt of the World
2022
Press
Paul Carey-Kent, Seisma Magazine, April 2022
No Sound of Water
2021
Solo Exhibition
Fundación Arte Abierto, Mexico City
Evolutionary Composite
2021
Silicon wafer and flint stone, with experimental archeologist Dr. James Dilley
No Sound of Water
2021
salt, modified industrial conveyor system, cotton polyester fabric
Specialisation is for insects
2021
Press
Sabine B. Vogel, Kunstforum International / Bd. 277/ October 2021
To See a World Through a Grain of Salt
2021
Solo Exhibition
OMR, Mexico City
Maybe we should stop thinking that everything always starts from the beginning
2021
Permanent Installation
We The Curious, Bristol
Poetics of Reality (Encoded)
2021
Duo Exhibition
max goelitz, Munich
The shape of a circle in the mind of a square
2020
Permanent Installation
Zealand Academy, Køge, Denmark
Real Feelings: Emotions and Technology
2020
Group Exhibition
HeK (House of electronic Arts Basel), CH
Terminal Beach
2020
Motion Capture Animation,
with space weather scientist Dr. Nigel Meredith,
British Antarctic Survey
Unstable Constructs
2020
Photographic slide film, perspex tubes
Reality is not always probable
2020
Algorithms and coloured dice
Irma Watched Over by Machines
2019
Paintings in 16 shades of red, green and blue
Solid State Fiction
2018
Photographs of submerged mineral gardens
Borrowed Light
2018
Photographic film in acrylic case
Time seen as red green blue
2018
Acrylic, dia positive film, aluminium
Double Image
2018
Photograph on DIA positive film
Reality is not Always Probable
2018
white dice
Borrowed Light
2018
Solo Exhibition
Barbican Centre, London
Borrowed Light
2018
Essay
Kiki Mazzuchelli, in ‘Borrowed Light’, 2018
Segment of a Sunrise
2018
Perspex, photographic film
Compression Loss
2017
Solo Exhibition
Galería OMR, Mexico City
